Category Archives: Society

Mosque at Sunset: Manhattan

Mosque at sunset

By Johna Till Johnson

Sometimes beauty just hits you like a punch in the stomach.

I was running late for dinner when I saw sunset-tinged clouds behind the neighborhood mosque. I just had to stop and take the picture.

On Fridays the haunting tones of the jumu’ah call to prayer at 1 PM reminds me the week is almost over.

This time, it was a reminder that the day was almost over.

Another summer day drawing to a close…

An Unexpected Sunday in Los Angeles

Evening Shoes, 1927, by Edward Steichen


By Johna Till Johnson

Photos by Johna Till Johnson and Daniel Kalman (and assorted artists)

I never intended to be at the Getty Center in Los Angeles on a sunny Sunday in July.

But as luck would have it, I was in town for a business trip, and I got a text from my friend Dan: His mother had just died (not unexpectedly). I postponed my flight home, rented a car, and headed for Dan’s mother’s house.

People grieve differently. Dan is a scientist with the soul of an artist, and throughout his life, art museums and galleries have been his places of worship. He and Vlad shared many happy hours soaking in art all over the world.  Dan had happy memories of visiting the great art galleries in London with Vlad (who initially studied art history at Cambridge before changing his career to focus on science).

Baroness de Meyer in a Hat by Reboux, 1929, by Baron Adolf de Meyer

So when Dan suggested a trip to the Getty that same weekend,  I was enthusiastic about accompanying him, his sons, his brother-in-law, and his eight-year-old niece.

My experience of museums had been limited to Europe and European-inflected cities like New York and Boston. So I guess subconsciously I was expecting a tall, dark, imposing building.

The Getty is imposing, all right, but in a classic California way.

Cacti at the Getty, by Johna Till Johnson

Designed by Richard Meier, the Getty looks exactly like the mental image many of us have of Heaven: White columns, lush green foliage, flowers, fountains, mountains, and sea.

It’s a campus of beautifully designed  buildings, interspersed with gorgeous landscapes, perched on the top of a hill with a breathtaking view of Los Angeles, the Pacific, and Catalina Island. It’s so sprawling that the buildings are interconnected by a cable-pulled tram (which we eschewed in favor of a walk up the hill).

Trees at the Getty, by Johna Till Johnson

Dan, like Vlad, loves photography, so we went to the current photography exhibition: Icons of Style .

None of us were really that into fashion (unless it’s made by Kokotat or sold at REI). But Vlad had introduced me to Edward Steichen many years ago, and Steichen’s photographs were among those featured.

Model on Ship, about 1946, by Bill Brandt

In fact, Steichen’s 1927 photograph “Evening Shoes” was one of the first we saw.   I leaned in closer to study the angles and edges of the shadows.

“Look at that!” said the woman next to me. I glanced over. She was older than I, bejeweled and made up, and her voice had a familiar intonation… Sure enough, she mentioned she was from New York.

We both admired the photo out loud, pointing out the features we liked best.
“And those are two different shoes!” she commented triumphantly. Indeed they were—and I’d missed it! (Take a closer look at the photo up top). I wasn’t the only one. Later on, I found out that a friend who had studied photography and was very familiar with the photo had also missed the fact that the shoes were from different pairs.

Kelly Stewart, New York, 2011 by Hiro

Dan and I wandered through the rest of the exhibit, both agreeing that the Chinese-born photographer Hiro had an unusually striking eye. Then we rejoined Dan’s family outside, and meandered through the grounds, enjoying the sunshine, gardens, and architecture.

On that unexpected Sunday, we reminded ourselves of something important: Art, like nature, heals.

Detail: Fountain at the Getty, by Daniel Kalman

Note: In the photos of photos, I’ve done my best to edit out extraneous reflections (including that of the photographer). But if you look carefully, you can see them… 

Urban Garden Center NYC

Urban Garden Center

By Johna Till Johnson

When it’s cold and snowy out, where does a New Yorker in search of lush greenery go? The Urban Garden Center, of course!

It’s a whimsical wonderland hidden under Park Ave at 116th St., and one of the many crown jewels of Spanish Harlem.  In summer, there are live chickens (because what’s a garden center without chickens?). Children love to come and visit, and feed the chickens.

In winter the fauna are more limited: Teddy bears and mermaids.

Fairyland (with teddy bears!)

And speaking of fairyland, the center’s owner, intrigued by my picture-taking, regaled me with stories of New York “back in the day” (we are pretty much the same age).

My favorite was the time when he, as an 18-year-old from Long Island City, Queens, drove his brand-new Honda CRX right into the middle of a gang war in Spanish Harlem.

As he drove into a narrow alley, the two sides stopped fighting each other and attacked him. They lobbed a Molotov cocktail at his car, lighting the hood on fire.  There was nowhere for him to turn, so he threw the car into reverse and burned rubber backing out of the alleyway, flaming hood and all.

Ah, New York… those were the days!

Fairyland fauna: Mermaid

 

 

Welcome to Spanish Harlem

Welcome to Spanish Harlem!


By Johna Till Johnson

They say old New York is dead.

The city’s hot lifeblood has gone thick and sluggish. Starbucks and suburbanization have driven a stake through its  heart.

They’re wrong.

The beating heart of New York never dies. You just need to know where to find it.  The pulse is particularly alive in Spanish Harlem, which shimmers with dynamic energy. It’s bright with color, even on a dark snowy day.

Spanish Harlem street corner

Like much of old New York, Spanish Harlem (also known as East Harlem or El Barrio) is known for many things: Poverty. Addiction. Gang violence (the area is home to the most dangerous block in the city, according to police statistics).

But Spanish Harlem is not defined by those things, or not defined only by them.

It’s diverse: Puerto Ricans, African Americans, Asians, and a remnant of the original Italians who settled there in the early 1900s mingle with displaced WASP Upper East Siders and the influx of international staffers working at Mt. Sinai, the steadily-growing medical complex that dominates the southern part of the neighborhood.

There’s also a spirit of pride, and neighborliness. You’re more likely to be greeted with a nod and a smile here than anywhere else in the city.  “We’re all in this together,” is the unspoken sentiment.

Helping each other

More than that, Spanish Harlem is characterized by hope. It boasts one of the best high schools in all of New York state,  Manhattan Center for Science and Mathematics, which regularly sends local students to top-ranked universities.

There are a number of community gardens, decorated with whimsy and offering bright spots in the urban landscape.

And a surprising number of artists, poets, and musicians hail from Spanish Harlem. A notable one is Marc Anthony,  the top-selling salsa artist (and Jennifer Lopez’ ex-husband).

Above all, Spanish Harlem is the land of dreams.

Hall of Fame

I am not certain, but I suspect that the graffiti in this mural refers to the song Hall of Fame, which celebrates setting high goals and working to achieve them.

Yeah, you could be the greatest
You can be the best…
You can be a master
Don’t wait for luck
Dedicate yourself and you can find yourself…

Standing in the hall of fame
And the world’s gonna know your name
‘Cause you burn with the brightest flame
And the world’s gonna know your name
And you’ll be on the walls of the hall of fame…

Do it for your people
Do it for your pride
How you ever gonna know if you never even try?

Harlem: Do it for your people

Zlarin: Rainbow

Rainbow sidewalk stencil on the island of Zlarin

By Johna Till Johnson

Croatians can be whimsical.

As I was walking along a pier on Zlarin, a small Croatian island in the Adriatic, I noticed a rainbow stenciled on the sidewalk. Who put it there? And why? There are no answers.

But it made me smile.

Zlarin: Anchors at Sunset

The double anchors of Zlarin

By Johna Till Johnson

Last September I paddled the Croatian Adriatic coast with Peak and Paddle Croatia. It was enchanting.

For the first part of the trip, we stayed on the island Zlarin.  It’s a small island (winter population of 284), but has been inhabited since Neolithic times, and is famous for its coral divers.

This double-anchor monument was erected in 1977 to honor Zlarin sailors and emigrants. (Interestingly enough, that group includes Anthony Maglica, the founder of Maglite, who was born in New York City of Croatian parents, but returned to their hometown of Zlarin during World War II.)

I took the photo from the kayak at sunset, after one of our first trips. Stories are to come!

Democracy is Coming

American flag at the Intrepid, as seen from my kayak

By Johna Till Johnson

July 4, 1976. The Bicentennial.

I remember it vividly. Earlier that year with the rest of my sixth grade class I’d prepared a multimedia report, with photos and artwork and carefully crafted text. That night as the fireworks lit up the sky, and the grownups chatted over drinks and hors d’oeuvres, I thought to myself, “Pretty cool! I need to catch the next one!”

Then I realized that meant I’d have to live to be… 111 years old.

Not impossible. But definitely a stretch. It would take luck, work, and considerable scientific and technological advancement. (My interest in life extension stems from that moment, because I really do want to be around.)

And then something else occurred to me: What if we didn’t make it? What if I lived to be 111, but there was no longer a U.S.A.?

By then I’d learned something about the Greeks and Romans, and that democracy was an inherently unstable form of government. Like many children, I couldn’t truly believe that anything bad would really happen. So I tried to shut down the thought. But it remained: What if…?

In the decades since, I’ve become increasingly pessimistic, while still clinging to my native idealism. I’m an American not because I was born here, but because I believe in the principles on which this country was founded, however imperfectly we’ve managed to adhere to them over our history:  Every person is entitled to life, liberty, and the pursuit of happiness. Every citizen gets a vote. And most importantly, government is here to serve us, not the other way around.

Over the years, I’ve thrown citizenship parties for more than a few friends who have chosen to throw their lots in with the U.S.

And I’ve shared with them the hope that we can defy the odds, remain a democratic republic, and continue to adhere as closely as possible to those cherished ideals.

Sometimes, that hope feels faint and flickering.

So it’s no small irony that it’s the Canadian Leonard Cohen who helps fan that flickering flame.  His song “Democracy” was written shortly after the fall of the Berlin Wall in 1989.

It’s apolitical (neither right nor left, as he says in the song). And as he said in an interview: “It’s not an ironic song. It’s a song of deep intimacy and affirmation of the experiment of democracy in this country…This is really where the experiment is unfolding…This is the real laboratory of democracy.”

That’s as true today as when he wrote the words below. Every day, every hour, democracy is being tested. Sometimes it fails the test. And sometimes, against the odds, it succeeds.

If you haven’t heard the song,  it’s worth a listen.

Lyrics ©Leonard Cohen 1992

It’s coming through a hole in the air
From those nights in Tiananmen Square
It’s coming from the feel
That this ain’t exactly real
Or it’s real, but it ain’t exactly there
From the wars against disorder
From the sirens night and day
From the fires of the homeless
From the ashes of the gay
Democracy is coming to the USA
It’s coming through a crack in the wall
On a visionary flood of alcohol
From the staggering account
Of the Sermon on the Mount
Which I don’t pretend to understand at all
It’s coming from the silence
On the dock of the bay,
From the brave, the bold, the battered
Heart of Chevrolet
Democracy is coming to the USA

It’s coming from the sorrow in the street
The holy places where the races meet
From the homicidal bitchin’
That goes down in every kitchen
To determine who will serve and who will eat
From the wells of disappointment
Where the women kneel to pray
For the grace of God in the desert here
And the desert far away:
Democracy is coming to the USA

Sail on, sail on
O mighty Ship of State
To the Shores of Need
Past the Reefs of Greed
Through the Squalls of Hate
Sail on, sail on, sail on, sail on

It’s coming to America first
The cradle of the best and of the worst
It’s here they got the range
And the machinery for change
And it’s here they got the spiritual thirst
It’s here the family’s broken
And it’s here the lonely say
That the heart has got to open
In a fundamental way
Democracy is coming to the USA

It’s coming from the women and the men
O baby, we’ll be making love again
We’ll be going down so deep
The river’s going to weep,
And the mountain’s going to shout Amen
It’s coming like the tidal flood
Beneath the lunar sway
Imperial, mysterious
In amorous array
Democracy is coming to the USA

Sail on, sail on…

I’m sentimental, if you know what I mean
I love the country but I can’t stand the scene
And I’m neither left or right
I’m just staying home tonight
Getting lost in that hopeless little screen
But I’m stubborn as those garbage bags
That time cannot decay
I’m junk but I’m still holding up
This little wild bouquet
Democracy is coming to the USA

Note: Astute observers may note the British Airways logo on the airplane in the photo. That’s the British supersonic airplane the Concorde, which was donated to the Intrepid museum upon its retirement in 2003. As in so many things, the U.S. remains indebted to Britain.