Category Archives: New York City

Trip 1: Hudson River, Rhinecliff to Ossining, September 1999

Text and Photos by Vladimir Brezina

Early morning colors on the river

Note: After Vlad died, I was astonished to discover that he’d meticulously maintained logs of nearly 300 kayak excursions he made, alone and with others, from 1999 to 2011. He only stopped when this blog became the official chronicle of our journeys.

Although they are true nautical logs, with observations on the weather, conditions, and mileage, they are also written in his characteristic style, with whimsical musings and droll asides sprinkled throughout, so they make for surprisingly lively reading.

Best of all, he also worked in the last months of his life to preserve his vast collection of photographs, so I’m able to pair the logs with photographic illustrations of the same areas. They are not necessarily from the same trips (though some almost certainly are). Wherever possible, I’ve attempted to match for season and conditions.

I plan to publish one each Thursday for the next year or so (not all logs are long enough to make into standalone blog posts). I’ve edited the logs minimally; you’re reading almost exactly what Vlad wrote.  —Johna Till Johnson

18-19 September, Rhinecliff to Ossining
Saturday, 18 September

(Editor’s note: Vlad traveled south from Rhinecliff, which is the starting point roughly in Kingston. The Denning Point campsite is marked, as is his destination at Ossining, a bit north of Rt 287 on the map.)

7:10 Amtrak train to Rhinecliff. The train was delayed by the possibility of water and downed trees on the tracks—Hurricane Floyd hit the area on Thursday night—and I was able to launch only around 11 a.m. Sunny, temperature in the 70s, light north wind, calm water. Water very muddy, with swirls of mud, like light unstirred coffee. Visibility only a few inches. Other signs of hurricane: in some places accumulated masses of floating debris, mainly old driftwood and dead branches presumably swept off beaches. Later I saw some downed trees and numerous beached boats.

Just north of Middle Hudson River (Esopus) Lighthouse, I saw a seal. (Although this far up the river the water is completely fresh.) First it was following in the wake of a sailboat motoring in the other direction, then a few minutes later I saw that it had turned and was following me.

I stopped paddling and watched. The seal kept diving and surfacing, poking its head out of the water. Once it arched its back out of the water like a dolphin. It kept to a distance of about 10 yards. I started slowly paddling twards its position while it was submerged to get closer for a picture. I got slightly closer, but then the seal (apparently unable to see underwater because of the mud) surfaced by chance about two feet off the port side. It must have panicked and gone into an emergency dive; all I saw was an enormous splash, like a huge fish jumping, and was soaked with spray. (Another argument for a waterproof camera.) After that the seal did not surface for a while, and then kept to about 30 yards.

Camp at Denning Point

Good ebb current (1-2 knots?) plus tail wind (10 knots?) in favor. Keeping in the middle of the river, I reached Pougheepsie about 2 p.m. Then the current slacked off. I was hoping that with the runoff water the ebb would be prolonged and the flood abbreviated. This was probably the case to some extent, but nevertheless soon when I stopped I found myself unmistakably drifting backward, despite the tail wind. So I continued along the shore.

I reached Beacon about 6:30 PM, then continued to the camp at the southern tip of Denning Island, arriving around 7 p. m., just before sunset. I briefly explored the trails inland, but could not find the grassy area near ruins described in the HRWA guide. So I camped on a level sandy spot, under trees and behind big driftwood logs, just on the point, with good visibility both west across the river and south to Bannerman’s Island. It got dark, lights came up across the river and a quarter moon: bright moonlight, sharp moon shadows, I could almost read.

Outdoor Research bivy sack with Thermarest inflatable pad, on flat, level ground, very comfortable. Good ventilation, quick and easy to set up. (Editor’s note: I have what I believe is that original OR bivy sack, though I’ve upgraded to a newer model for my own use. I very much agree with Vlad’s assessment!)  Old sleeping bag still adequate this time, but probably too light for any significantly colder temperatures. Also too small—need to get larger, mummy-style bag with hood. Need tarp that I can spread out, too, otherwise sand gets into everything.

Morning fog

Sunday, 19 September

Morning somewhat brisk—fall is definitely coming. Mist rising from the river, drifting over with the north wind, but now and again glimpse some blue sky. Took a number of pictures of trees in the mist around the campsite. Left about 8 a. am. Across the Fishkill Creek estuary south from Denning Point, paddled completely surrounded in fog. Took pictures while paddling along the opposite shore: trees emerging from the fog. Bannerman’s Castle.

Cold Spring

South toward Cold Spring, the fog began to lift. Mist and clouds, but now also sunshine and increasing patches of blue sky, dramatic views of the Highlands. Trees still for the most part green, although here and there one already turning. With Bannerman’s Castle, could almost have been Scotland. (Editor’s note: As some readers are aware, Vlad spent several years as an adolescent in Scotland.)

Bannerman’s Castle

Gusts of stronger north wind (15 knots?), some following seas building as always here. Past Cold Spring, West Point with increasing current in favor. Peekskill at about 11 a. m. White beaches of Verplanck (lunch in someone’s homemade hammock overlooking the beach). Across Haverstraw Bay. Lots of motorboats and sailboats criss-crossing the bay.

White beaches of Verplanck

(Editor’s note: The other photos may or may not have been from this exact trip; at least one is not, because it’s a later boat model. However, this photo is almost certainly from this trip; it’s Vlad’s first boat and paddle, and its album caption is “White beaches of Verplanck”—a phrase that appears to be unique to him, and that he seemed to have coined on this trip. )

Now good sailing breeze: onshore breeze building from the south, waves negligible at first but by Croton Point 1-1.5 feet. Ebb current fading too. Making relatively slow progress into the wind. Significant area of higher breaking waves (2 feet) south of Teller’s Point. Boat filling up on water. Effects on handling quite noticeable: boat wallows with and through the waves rather than bouncing over them as usual. Made for the south shore of Croton Point to bail out the water, then across Croton Bay to Ossining. Arrived about 4 p.m. 5:30 train to New York City.

Must seam-seal and Scotchguard deck, shorten paddle-leash and eliminate Velcro paddle attachment.

Whole trip about 50 nm, paddling time about 16 hours.

Window Box

By Johna Till Johnson

NYC Flowers 042017 Edited

Window box on the Upper East Side, Spring 2017

APRIL is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.

—T. S. Eliot, The Waste Land

Ah yes, “Dull roots with spring rain”!

Every spring, it’s the same surprise. We spend the winter yearning for sunshine and warmth. Yet when spring arrives, it’s usually wrapped in a cloak of dark clouds and cold rain.

It’s become a cliché: “April showers bring May flowers”—even though in New York, the flowers usually bloom in April (until they’re washed away by rain), and May is the month of green leaves.

But every now and then, even in the dank days of mid-April, a burst of sunshine appears. In this case, a window box, seen on the way home from the gym, with a riotous profusion of plants and flowers. A promise of brightness to come!

The Easter Bunny

By Johna Till Johnson

NYC Easter Bunny 1 041517 Edited SM

The Easter Bunny appears in the wine store!

Friday night I saw something I haven’t seen since I was five or six years old: The Easter Bunny! Who, apparently, buys wine for Easter dinner just like the rest of us.

Actually, I didn’t quite see the Easter Bunny back then, either. So technically this was my first actual sighting.

We were living in Naples, Italy, at the time. I’d awakened early Easter morning, excitedly anticipating the basket and associated goodies, only to find… nothing.

Nada. Zilch. The Easter bunny, apparently, hadn’t arrived.

Maybe he just hadn’t arrived yet, my parents suggested optimistically. Maybe he’d show up later on. There was still time! So, like the good Catholic family that we were, we headed off to Easter Mass.

Upon our return, I pushed through our creaky garden gate. My father was holding my hand. “Look!” he shouted suddenly. “It’s the Easter bunny! I saw his fluffy white tail!” And the two of us dashed off around the house in mad pursuit. I didn’t see anything, but I wasn’t as tall as my dad. And maybe, if we ran fast enough, I’d actually see the Easter bunny!

You know how this story ends: when we came in the front door, panting and puffing, we discovered a giant, green-and-yellow Easter basket on the kitchen table. We hadn’t succeeded in seeing him, but evidently the Easter bunny had arrived.

Even as young as I was, I put the pieces together pretty quickly. I never found out what happened to delay the Easter basket, or at what point my parents hatched the scheme.

And I don’t remember why I figured it out. Maybe it was the fact that my father, who hadn’t the slightest bit of whimsy, didn’t pull off his acting job quite credibly. All I know is that was the end of my believing in the Easter bunny.

Until now.

Happy Easter!

By Johna Till Johnson

Amaryllis blooms

Yes, I know it’s just good Friday. But the new amaryllis (gift from a friend) decided to bloom today. And for some reason, every year Good Friday is sunny and warm, and Easter Sunday is cold and gray.

So I’ll take my cue from the amaryllis and wish everyone a happy Easter, even if it’s early.

Here’s to resurrection and life!

And—if Easter isn’t your thing, or even if it is—here’s to bunnies and robins and flowers and springtime and the promise of summer ahead.

No Comment

By Johna Till Johnson

This is why I love NYC…

Crooked

By Johna Till Johnson

Crooked

Snow beside the East River, late winter 2017

Bent necks, leaning
Towards the East River
What are they listening
For?  

Excelsior

By Johna Till Johnson

excelsior-edited

72nd St Subway Station-Q Line

What makes photography interesting is the eye invested with feelings. That was the advice I’d gotten on finding my own photographic style. Strive not for esthetic perfection, but for conveying the emotions and narrative of the moment.

Tall order for someone still figuring out how to keep the camera steady enough to focus!

I was game for the challenge, though I suspected it would be an upwards struggle. One problem presented itself when I ventured out on a recent weekend: the world outside didn’t seem to match my feelings. It was a grey day in midwinter, but I was feeling… buoyant.

How—and where—would I find something that would convey my mood?

I took several shots outdoors before I stumbled across the perfect subject: the brand-new 72nd street subway station. Readers of the blog already know that I love subways. And I’m particularly in love with the 72nd Street station, with its high, gleaming arches, still-pristine walls, and glittering, realistic, slightly larger-than-life mosaic portraits.

Yes, I decided, the subway station would be perfect. Especially since I was taking the subway anyway to run my errands.

I had just about finished up a series of  photos when I noticed someone else doing the same thing: A young man in a puffy black jacket carrying a serious camera—with a long, impressive lens—was across the way, apparently preparing for a close-up of one of the mosaic portraits.

He had long hair and a distracted, somewhat hostile, expression. When he caught me looking at him, his eyes narrowed a bit, in that classic New York scowl. I could almost hear him thinking, “Whaddaya looking at?”

I leaned over the railing towards him. “We’re doing the same thing—only you’re a real photographer!” The scowl disappeared and his face lit up with an almost bashful smile. “I’m trying!” he said.

I smiled back and turned to leave.

Then it hit me: That was my shot. I turned around and steadied myself, hoping he wasn’t looking at me. No danger of that: he was leaning backwards against the railing,  carefully studying his subject. Carefully, quickly, I took the picture, then stepped back to frame it again.

It wasn’t until I’d taken a couple different shots that I noticed something I hadn’t previously seen: the word Excelsior in raised lettering on a concrete bar above the staircase. It’s Latin for “ever upward”, and it’s the New York State motto. I hadn’t even known it was there until I examined my photo.

Whoever elected to put it over a staircase obviously had a sense of humor. But I was delighted to discover something new in my favorite subway station—and struck by the appropriateness of the message.

Ever upward, indeed!

Pipes at Grand Central Station

By Johna Till Johnson

pipes-1-edited-3

Pipes at Grand Central Station

Friday morning, midwinter.

O-dark-hundred, as they say in the military: early in the pre-dawn darkness. I’m at Grand Central Station, traveling north for a business event.

I pass by the track where my train is supposed to arrive in 20 minutes. The track is dark, deserted, with no sign indicating an imminent arrival. Plus the track is filled with what looks like junk. In some places there’s barely a walkway for the passengers. Could there be some mistake?

Buying my ticket I ask the booth agent: “Is this really the correct track?” He checks the monitor, nods. So I take my ticket down to the track. Still no sign, but there are now a few guys driving carts up and down, past the piles of junk.

I walk towards the end of the track, my mind and eye trying to make sense of what I’m seeing. Banks of carts. Wire containers. And is that an old office chair standing by itself? Where did it come from, and what is it doing here?

I pass by a brick building with a sign:  Grand Central Station Mailroom. A mailroom, improbably located on a train track?  Who knew?

The building is lit indoors, but empty. The sign on the door says it opens at 7 AM, but it’s not yet seven.  I peer inside. Tables, printers, bins for sorting.

I keep going, towards the darkness of the tunnel at the far end of the track.  The piles of junk thin out, replaced by banks of cables and pipes, soaring into the cavernous darkness overhead.

There’s a conductor at the far end, standing by himself. He’s a young man, trim, with a tired look on his face. I approach him, wonder in my eyes, excitement in my voice. “This is amazing! Is it always like this?”

“Like what?” he asks.

“All this… ” I gesture to the clutter, the pipes, the darkness.

He laughs. “Every day!”

“There’s so much to look at!”

“Yeah… I guess there is…” His voice takes on a wistful tone. “You don’t really notice it when you see it every day.”

I nod, understanding what he means. Then my attention is captured by a perfect arch of pipes, rising into the overhead darkness.

I reach into my backpack for the camera.

“Photography helps people to see”-Berenice Abbott

By Johna Till Johnson

Photographs by Berenice Abbott

pike_and_henry_street_by_berenice_abbott_in_1936

Pike and Henry Street by Berenice Abbott, 1936

It was one of those Facebook memes that occasionally goes around. “Let’s fill Facebook with art! Like if you want to participate, and I’ll give you an artist to post on your Facebook page.”

The poster, David, is a longtime friend with wide-ranging artistic interests and great taste, so I signed up. Besides, we can all use a little art in the dark days of February, right?

David assigned me Berenice Abbott. I’d never heard of her—though even a photography newbie like me immediately recognized some of her iconic NYC photographs. I spent a delighted evening reviewing her life and work and reading her brief Wikipedia biography. If you haven’t heard of her, I encourage you to do so, too–she was one of the great 20th-century artists of the “realist” school. Her quote about photography helping people to see resonates very strongly with me right now, as I work to develop my eye.

A delightful discovery: She developed several cutting-edge techniques for scientific photography, and in fact illustrated a 1958 high school physics textbook (an article about which appeared in Forbes Magazine recently).

Enjoy!

pennstationinteriormanhattan

Penn Station Interior, Manhattan by Berenice Abbott 1936

blossom_restaurant_103_bowery_by_berenice_abbott_in_1935

Blossom Restaurant by Berenice Abbott, 1935

 

Subways

By Johna Till Johnson

subway-scene-edited

Subway scene February 2017

I love subways. I’m not sure why.

It’s not just how functional they are, how efficiently they take you in minutes to places that would otherwise require hours of travel through traffic-choked streets.

It’s partly—even mostly— because of the way they instantly, magically adjust your experience.  You go down a staircase and in a moment find yourself safely (or swelteringly) out of the elements.

Perhaps there’s music, anything from a violin to a jazz band, interrupted by the blare of announcements and the scream of trains.  Regardless of whether it was day or night outside, cloudy or clear, the light has changed to a steady, unflattering overhead glow.

Shadows seem deeper, edges sharper. Platforms roll off to the side, hiding themselves behind square pillars. And there are people all around, almost all intent on ignoring you.

It’s an alternate reality, a step out of space and time. And when you emerge at the far end, you’re never quite the same person who first entered…